Reviews & Praise



Dubbed a 2018 Debut Writer To Watch by Publishers Weekly
“If there’s anything to be said about Elle Nash’s Animals Eat Each Other (Dzanc, Apr.), it’s that it does not shy away from darkness.”
Daniel LeffertsPublishers Weekly

“Nash writes with psychological precision, capturing Lilith’s volatile shifts between directionless frustration, self-destructiveness, ambivalence, and vulnerable need. A complex, impressive exploration of obsession and desire.”
Publishers Weekly starred review

“A scintillating work of literary erotica...the way [Lilith] elucidates and wrestles with her sexuality and identity is perceptive and raw.”
Book Riot

“The first page of Animals Eat Each Other knocked me on my ass...Elle writes with an incredible amount of intensity and emotional honesty and, damn it, just read this book.”
Lit Reactor

“Electric, sensual, and brutally human, Nash explores the boundaries (or lack thereof) when it comes to sexual desire. It is an exquisitely crafted work where every sentence feels so important, so real that it stings the skin. ... A supremely gripping work....a remarkable novel that crackles from beginning to end.”

“Raw, moving, and utterly original.”

“An unsettling work in the tradition of books delving into the emotionally ragged connections that form in the least likely places.”
Vol. 1 Brooklyn

“Nash is an acute observer of human appetites, and Animals Eat Each Other establishes her as a voice on the rise.”
The Masters Review

“A mélange of sex and violence and drug use and teenage ennui . . . a devastating first book.”
The Fanzine

“A hair-raising tale of sex and drugs and self-harm and self-hatred well outside the safe boundaries of New York Lit”
3 AM

“Elle Nash's Animals East Each Other is a desire map, a cartography of eros. Two women and a man weave their contradictions and obsessions and aches into one another until names, bodies, and selves dissolve and reconstitute in ways they could not have imagined. Mirrorings, doublings, triplings, and reproductions bring the right questions to the surface: who are we when we enter into love stories? Does anyone know? A heartbomb.”
—Lidia Yuknavitch, author of The Book of Joan

“A savage, nuanced dive into the dynamics of queer sexuality, love and anti-love, jealousy, sadomasochism, Satanism, and everything else caught in the fray of a woman’s self-abandonment. Nash’s subtly spare prose renders matter-of-fact what we’re so often afraid to articulate to ourselves, let alone to the people we give ourselves over to.”
—Sarah Gerard, author of Sunshine State

Animals Eat Each Other reminds me of the ’80s, with its Satanism and ménage à trois teen lifestyle and atheism in the face of mass Christianity. Elle Nash has written a novel you can’t put down, even if the Satanic Bible or a deck of Tarot cards is within your reach.”
—Elizabeth Ellen, author of Person/a

“If Holden Caulfield was the face of adolescence during Salinger’s era, then Nash’s Lilith represents the face of today’s youth as they struggle to come-of-age in a world where people are increasingly more and more alienated… Nash does not flinch when she captures the realities she has chosen as her subject: This is a portrait of addiction. This is the story of a girl caught in a particular purgatory between high school and adulthood…we have to look, even if and when some of us will undoubtedly see ourselves looking back.”
—Sarah Elizabeth Schantz, author of Fig

Strands of emotional confusion and self-loathing run through Animals Eat Each Other, and Nash writes brilliantly and viscerally about the connections between physical and emotional intimacy. There is a superbly tactile flow to her beautiful, stripped-down prose that absolutely sucks the reader in, making this a disturbing and deeply moving piece of modern storytelling. Brilliant stuff.”

—Doug Johnstone, The Big Issue



"The poems in this chapbook are those of a witch, a warrior, a wolf, a goddess with claws. Elle Nash is able to balance the hilarious and tragic, the heartbreaking and the furious. She will slay you, and you will love her for it."

–Juliet Escoria, Witch Hunt (Lazy Fascist Press)

"Elle Nash’s 'I Can Remember the Meaning of Every Tarot Card But I Can't Remember What I Texted You Last Night' is a winner of Nostrovia! Press’ 2016 N.Y.C. Chapbook Series for reasons written not in stars but in sweat on tangled bedsheets, in the crushed spaces of apartments and the expanse of memory, nostalgia, bitterness, and grief. Refracted to us through the lens of the tarot, the poems here are both mythology and autobiography, legend and confession—it is impossible to read them without wondering precisely whose hot entrails are spread out during this divination, and whether the truths being whispered in the dark are the author’s, the world’s, or one’s own." 
–Sonya Vatomksy, Salt is For Curing (Sator Press)

"this moon doesn’t remember the first night she met me & i understand. there were so many other things going on, but for some reason i couldn’t forget it. the lake was there, laughing as always. her ripples wouldn’t stop shaking her surface & all the moon could do was reflect. it was spring & there were still christmas lights hanging from houses hidden in the trees.

this moon peels off a few rocks from her skin & we skip them until the lake breaks down crying. we run.

after catching her breath, this moon says, i don’t remember the last time i missed you."

-Probably Crying Review

“Identities are everything. A person can find many identities which suit them ideally. No one is limited. Possibilities are endless. The animalistic instincts of a person never subside they are there to all degrees. Consumption happens in a consumerist society: of art of leisure of love.”
-Beach Sloth